Do We Really Sound as Terrible as We Think We Do on Stage?
Is there a self-evaluation bias when it comes to performing or is there really a difference between how our voice sounds to us and to others?
Is there a self-evaluation bias when it comes to performing or is there really a difference between how our voice sounds to us and to others?
Nobody wants to be the person turning people down all the time, but we also need to avoid burnout. Here are tips for saying No with respect.
In this edition of Student Spotlight, singer/songwriter Spencer Brill reflects on an unexpected year’s worth of creative and personal growth.
In today’s edition of Student Spotlight, Shea Winpigler (Buttr) bares all about addressing her growing self-confidence in music production.
Don’t let the fear of rejection hold you back from accomplishing great things. Here’s how to turn a “No” into a “Yes” opportunity.
Solo artists, songwriters, and composers, you may be nervous to, but here’s how to open yourself up to new collaborative frontiers.
What do Phil Spector, Gearslutz, and the mainstream media have in common? Ask women in the music industry for the last 50 years….
Learning how to take criticism and seek out honest feedback does not come naturally to us musicians, here’s how and why it’s important.
A powerful editorial about how to beat Imposter Syndrome and a lack of confidence by rewriting the rules of your working mental state.
How to create a positive, working relationship with your inner voice, and not succumb to the self-critiques that can damage your confidence.