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  • How to Write a Musical: The History of Musicals

    How to Write a Musical: The History of Musicals

    This is part 1 of a series on how to write a musical. If you can’t wait to start writing, jump forward to the purpose of the music or how to select song posts! A few weeks ago, I had drinks with a buddy of mine who’s writing a musical about an undercooked piece of pasta named Al Dente. He’s…

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  • How to Make Music with Flip Flops, Bicycles and Tin Cans

    How to Make Music with Flip Flops, Bicycles and Tin Cans

    At Soundfly, we’re all about finding your sound, so when we set out to make a promo video, it made perfect sense to find our sounds in unexpected places. The idea also seemed to work well with one of our other beliefs—that anyone can be a musician because there’s no one right way to play…

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  • Happy Valentine’s Day: The Love Story of Robert and Clara Schumann

    Happy Valentine’s Day: The Love Story of Robert and Clara Schumann

      “You write to become immortal, or because the piano happens to be open, or you’ve looked into a pair of beautiful eyes.” – Robert Schumann   I’m a little ashamed to say I didn’t shed a single tear when I saw The Notebook. On top of that, I fell asleep about two-thirds of the…

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  • Listening to Music in a Way That Supports Musicians

    Listening to Music in a Way That Supports Musicians

    You’re a nice person. You love music. You’ve never stolen anything before in your life. Yet somehow, if you’re anything like me, it seems like you can’t listen to music today without falling into a giant moral quagmire. Am I supporting the artists enough? Which service should I use to listen to this new track?…

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  • An Ethnomusicological Study of Feist’s Let It Die

    Canadian singer-songwriter Feist’s monumental second album, Let It Die came out all the way back in 2004. So why am I all of a sudden offering a perspective on it? Good question. I have no idea. Long car rides often provoke more attentive re-listens, I suppose. Upon first listen, Let It Die has this deeply seductive bossa nova-style…

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  • Six Tips for Musicians in New Cities

    Six Tips for Musicians in New Cities

    The summer of 2012 was pivotal for my husband and me. We had loved living in Boston, but the time had come to move on. Between the two of us, we had a pair of music school degrees, decades of instrumental experience, resumés that were useless outside of the entertainment world, and a handful of enticing prospects…

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  • Dissecting Rob Cantor’s Masterpiece “Shia Labeouf”

    If you’re anything like us, you’ve watched Rob Cantor’s absurdly operatic tale of Shia Labeouf’s cannibalism and ultimate defeat 100 times by now. Clearly, there’s so much that makes this video just next level — from the aerial ribbon dancers to the actor himself appearing at the end like a half crazed serial killer pondering…

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  • How to Make Music with Pigeon Whistles

    How to Make Music with Pigeon Whistles

    Last Summer throughout the UK, it was quite possible that if you wandered into an outdoor arts festival, you had a good chance of seeing a flock of pigeons flying overheard, producing a beautiful soundscape of tones. Introducing Nathaniel Mann, a London-based composer, sonic artist, instrument designer, ethnomusicological thinker and the man who strapped whistles…

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  • Crash Course: Learn the Glockenspiel in 60 Seconds

    Crash Course: Learn the Glockenspiel in 60 Seconds

    We’ve all heard that word before — a blend of German-sounding “ocks” and “schps” that, at least for me, conjures up images of old cuckoo clocks or Alpine adventures. But for those who don’t know, a glockenspiel is actually a small metallic xylophone with tuned keys that produce a high-pitched set of percussive tones. The…

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  • Gillian Jackson on Slayerkitty and Animal-Themed Wedding Songs

    Gillian Jackson on Slayerkitty and Animal-Themed Wedding Songs

    Whenever I check in with my friend Gillian Jackson, she’s into something new. Currently, it’s teaching rock to children, scoring films, and playing scream metal (I don’t know if that’s how she’d classify it, but it definitely has screaming in it). Before that, it was neo-classical music, museum tours, and working with snakes and other woodland…

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RJD2: From Samples to Songs