+ Hey there! We’re launching a new email magazine called Soundfly Weekly on May 1. We’ll…
Faders Up II: Meet Our Pro Instructors
Interested in learning about pro-audio mixing techniques? Preview Soundfly’s online mixing courses, Faders Up I: Modern…
Quick Tracks Nº 10: Write a Song Like a Machine Might
Welcome back to Quick Tracks! Once a month, we’ll send you another short composition, performance, or production…
Jaime Fennelly of Mind Over Mirrors on Approaching Art Practice as Environment
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of…
How to Create Bigger Sounding Chords with Open-Voiced Sevenths (Like Björk)
In this article, we’re going to be exploring how to use different voicings of seventh…
How to Get More from Your Samples Using Transposition
Here’s a step-by-step guide to pitch-shifting, finding the key, and warping. When you’re working with samples,…
Meet Our New Mentors: Osbourne, Gould, Ono, Rachmaninoff, Sporty Spice, and More
With the addition of Soundfly’s new Headliners Club program to our list of mentored offerings,…
Tennis on How There Are No Shortcuts to Writing Great, Personal Songs
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of…
What Is a Panograma and Why Is It Useful in Mixing?
The above video comes from part I of our online mixing course series, comprised of Faders Up…
Real vs. Hyperreal vs. Surreal
This article originally appeared on Ethan Hein’s blog. You can put all recorded music techniques and…