What exactly is “mickeymousing,” and how do we know whether it’s a good or bad addition to your musical score? Let’s find out.
Student Spotlight: Benjamin Roustaing on Streaming and Success
We chat with one of 2019’s break out artists, Benjamin Roustaing, on his songwriting, his thoughts on streaming, and his 2018 Soundfly mentorship session.
Why Leon Bridges’ Powerful New Song “Sweeter” Works on Every… Single… Level
We break down the devices that help Leon Bridges and Terrace Martin’s song, “Sweeter,” function on every level, musically, poetically, and emotionally.
How to Compose Music Set to a Poem: A Case Study
Using my own experience setting a poem by Pablo Neruda to music, I offer tips on what to consider when composing music to poetry. Check it out!
3 Ways “The Office” Theme IS Michael Scott
The Office Theme music couldn’t be more indicative of Michael Scott’s character persona, it functions almost as a leitmotif for three reasons, here’s how.
Stravinsky & Jazz: Yes, Even Classical Music Is Influenced by Black American Forms
Stravinsky’s music and the music of Charlie Parker and John Coltrane have been compared to Cubism, is jazz the connector? We trace the influences.
How to Generate Great Songwriting Ideas with Object Writing Technique
Object writing is a great songwriter’s tool for generating new song ideas, new perspectives, and fresh observations. Here’s how it works.
Austin Kleon Says You Should Rip Off Other Musicians (and He’s Right)
What does it mean to “steal like an artist” versus like a thief? Austin Kleon helps explain the difference, and we’ve got advice as to how to do it!
Inspired By or Just Plain Copying: A Guide to “Borrowing” Song Ideas
How do you morph admiration into inspiration while avoiding unacknowledged theft of song ideas? Borrowing with respect and intention is how.
When Truman Touches the Wall
We break down the small yet significant harmonic effect that makes the climactic scene in The Truman Show break down all of our emotional barriers.