6 Pop Songwriters Turned Film Score Composers
Who’s the first composer you think of when you think of film scoring? They probably started in pop music, and that says something!
Who’s the first composer you think of when you think of film scoring? They probably started in pop music, and that says something!
Underscore and sound design can serve a variety of different purposes in film and TV, here are a plethora of scene music function examples.
Another exclusive video lesson from Soundfly’s Intro to Scoring for Film & TV course, this one on the creative composing power of leitmotif.
From natural sounds to mechanical devices, many unusual things have been incorporated into musical scores by daring composers. Here are 5.
These days, scoring for film and TV is as much about the sound palette a composer uses as it is about the music itself. Here are 10 examples.
In this exclusive video lesson, we attempt the impossible: to (briefishly) sum up the entire history of musical scoring in the film industry.
Soundfly’s foundation-shattering new online course with Ryan Lott (of Son Lux), Designing Sample-Based Instruments, is out NOW. Check it out!
Read our interview with composer and arranger, Erik Ian Walker, which explores his data-driven environmental composition, “Climate.”
A personal reflection on the power of composer Joe Hisaishi’s music, combined with Studio Ghibli’s stories, to enchant and touch the viewer.