What Songs Got You Into Scoring?
In Episode 56, Carter chats with composers Sofia Hultquist (Drum & Lace) and Ian Hultquist about “Songs That Got Me Into Film Scoring.”
In Episode 56, Carter chats with composers Sofia Hultquist (Drum & Lace) and Ian Hultquist about “Songs That Got Me Into Film Scoring.”
These days, scoring for film and TV is as much about the sound palette a composer uses as it is about the music itself. Here are 10 examples.
In this exclusive video lesson, we attempt the impossible: to (briefishly) sum up the entire history of musical scoring in the film industry.
In honor of our brand new course, Ep. 54 of Themes and Variation finds Carter, Mahea, and Ian discussing “Songs That Lived Beyond the Film.”
Soundfly’s wide-reaching new course, Intro to Scoring for Film & TV is out NOW. Get started learning to write, orchestrate and produce cues.
An analysis of how Hildur Guðnadóttir’s score for Joker helps anchor the narrative and characters in both their story and their timeline.
A quick and easy guide to the art of the leitmotif — how to write, amend, and understand the role it plays in musical character development.
Soundfly’s foundation-shattering new online course with Ryan Lott (of Son Lux), Designing Sample-Based Instruments, is out NOW. Check it out!
What if part of your practice as a musician, composer, or producer, was to score an imaginary film scene? How would you tackle that challenge?
What if part of your practice as a musician, composer, or producer, was to score an imaginary film scene? How would you tackle that challenge?