Curating (In) the Culture Wars
A dual historical and contemporary editorial thinking through the blindspots and newfound responsibilties of curating in today’s cultural economy.
Whether we feel comfortable confronting it or not, there exists a fundamental hypocrisy in experimental music today. For me, a straight, white, middle-class male living in New York City, I’ve had to climb over no barriers in order to get deeply involved with what some may refer to as the “scene” here. Playing experimental, noise, or […]