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Jeremy Young

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.


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  • Photay on Being Terrified by ‘Flight of the Bumblebee’ and How to Mess with Song Form

    Photay on Being Terrified by ‘Flight of the Bumblebee’ and How to Mess with Song Form

    Welcome back to Soundfly’s new interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. On his latest release, Onism, Photay’s Evan Shornstein combines his study of West African…

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  • Arkells on Using Humor and Honesty to Achieve Creative Results in Songwriting

    Arkells on Using Humor and Honesty to Achieve Creative Results in Songwriting

    Welcome back to Soundfly’s new interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft.  Interview by Angela Mastrogiacomo These days, the “indie” aesthetic can often feel just as formulaic…

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  • TUSKS on Branching Out In Her Process and How to Combat Sexism in Music

    TUSKS on Branching Out In Her Process and How to Combat Sexism in Music

    Welcome back to Soundfly’s new interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft.  Interview by Evan Zwisler When an artist has the courage to describe her work as…

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  • Kalbells on Beating Cancer, Saying Yes to Yourself, and Sowing Songs Like Seeds

    Kalbells on Beating Cancer, Saying Yes to Yourself, and Sowing Songs Like Seeds

    Welcome back to Soundfly’s new interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. In true Incorrect Music fashion, Rubblebucket singer and saxophonist Kalmia Traver says, “I like to feel…

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  • That Time a Stock Photo Connected Us to the Hardest-Working Band in Brazil

    That Time a Stock Photo Connected Us to the Hardest-Working Band in Brazil

    We chat with a band from Brazil after using their photo alongside a particularly poignant article that oddly reflected their group.

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  • Joseph Shabason on Why His Album is Scrappy and Improvised Rather Than ‘Perfect’

    Joseph Shabason on Why His Album is Scrappy and Improvised Rather Than ‘Perfect’

    Welcome to Soundfly’s brand-new interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft.  By Lora-Faye Åshuvud Toronto-based saxophonist Joseph Shabason has an “incorrect” process in the sense that…

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  • Extracting Latent Sound: Composer Lawrence English on Scoring David Lynch’s Photography

    Extracting Latent Sound: Composer Lawrence English on Scoring David Lynch’s Photography

    In 2015, Brisbane’s Gallery of Modern Art presented David Lynch: Between Two Worlds, a major retrospective of filmmaker David Lynch’s works across painting, sculpture, installation, and photography. To celebrate the landmark retrospective, curator José Da Silva, along with Lynch and his studio, developed a number of commissions for the exhibition. One of these commissions was HEXA’s…

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Unlocking the Emotional Power of Chords