7 Essential Tips for Home Producing Your Vocals
Home produce vocals that are mix-ready earlier in the process. Here are 7 pieces of advice plus a bonus tip for how you can get there in no time.
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Ben Marshall’s Problem-Solution Approach to Mixing Vocals
+ Recording and mixing your vocals at home? Grammy-winning artist Kimbra explores how to harness the full creative potential of your music in her new course! To me, vocals are always the hardest thing to get right in a mix. I’m always looking for a balance between clarity and excitement. When the vocals are too forward,…
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The “Green Apple Trick” for Recording Singers in a Session
The above video features recording engineer Tim Leitner, one of the star instructors of both our Faders Up mixing courses, I: Modern Mix Techniques and II: Advanced Mix Techniques, explaining a trick he uses to minimize mouth sounds in a vocalist’s performance in the studio. For more tips and techniques just like this, check out Faders Up I:…
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Ora Cogan on Why She’s the Luckiest Weirdo in the World
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. Often compared to the mystical Karen Dalton, Montreal’s Ora Cogan makes experimental folk music that draws from…
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Jaime Fennelly of Mind Over Mirrors on Approaching Art Practice as Environment
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. Jaime Fennelly is the prolific composer, synthesist, and harmoniumist behind Chicago’s Mind Over Mirrors, a project which…
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Tennis on How There Are No Shortcuts to Writing Great, Personal Songs
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. Alaina Moore and Patrick Riley make up Denver, Colorado’s indie-pop duo, Tennis. The married couple had a prolific…
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Cale Hawkins on the Art of the Single, and the Wacky Joy of the Therevox
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. The multi-instrumentalist and composer Cale Hawkins has been steadily releasing a stream of unusual and elegant avant-pop…
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Son Lux on Composing for Contrast at the Forefront
Son Lux is a trio of versatile musicians comprised of vocalist, producer, and multi-instrumentalist, Ryan Lott, guitarist, Rafiq Bhatia, and drummer, Ian Chang. While all three make beautiful work on their own (Lott has scored films such as The Disappearance of Eleanor Rigby, Bhatia’s latest offering, Breaking English is coming in early April, and Chang’s 2017 EP, Spiritual Leader…
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5 Ways to Tell if Your Vocals Have Too Much Processing
+ Recording and mixing your vocals at home? Grammy-winning artist Kimbra explores how to harness the full creative potential of your music in her new course! When working with the endless options of vocal effects in today’s average digital audio workstation (DAW), it can be very tempting to go overboard. It’s like having a huge, free buffet in…
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5 Examples of Artists Tastefully Using Auto-Tune
+ Welcome to Soundfly! We help curious musicians meet their goals with creative online courses. Whatever you want to learn, whenever you need to learn it. Subscribe now to start learning on the ’Fly. Disclaimer: Before all you purists out there start typing up angry comments about how Auto-Tune is killing music, just hear us out. By now, I think we can…
