Identifying that eery tone in one of Radiohead’s most well-known songs off “Kid A” was not easy, but it was fun.
That’s the question we’re asking, answering, and passing along with podcast host/historian Charlie Harding in Ep 8 of “Themes and Variation.”
Let’s revisit one of Radiohead’s most propulsive and intricately layered songs, to deconstruct all the elements at play and how they function.
That’s the question we’re asking, answering, and passing along in Episode 5 of Soundfly’s new podcast, “Themes and Variation.” Check it out!
If you’re looking to impart a sinister, mysterious, bittersweet, or jazzy quality into your songwriting, do it using scale modes! Here’s how.
Here are our 10 favorite songs written in the time signatures of 7/4 and 7/8. Check out what makes them tick and hopefully they’ll give you some ideas!
We break down a handful of composer Jonny Greenwood’s go-to techniques in examples from his scores to Phantom Thread and There Will Be Blood.
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