6 Pop Songwriters Turned Film Score Composers
Who’s the first composer you think of when you think of film scoring? They probably started in pop music, and that says something!
Who’s the first composer you think of when you think of film scoring? They probably started in pop music, and that says something!
Writing and playing in irregular time signatures is tough, but here are ten great songs with grooves that sound effortless and infectious!
In Ep. 41 of our show, saxophonist, songwriter, producer, and composer Jessi Lee joins us to chat about experience defining songs.
Identifying that eery tone in one of Radiohead’s most well-known songs off “Kid A” was not easy, but it was fun.
That’s the question we’re asking, answering, and passing along with podcast host/historian Charlie Harding in Ep 8 of “Themes and Variation.”
Let’s revisit one of Radiohead’s most propulsive and intricately layered songs, to deconstruct all the elements at play and how they function.
That’s the question we’re asking, answering, and passing along in Episode 5 of Soundfly’s new podcast, “Themes and Variation.” Check it out!
If you’re looking to impart a sinister, mysterious, bittersweet, or jazzy quality into your songwriting, do it using scale modes! Here’s how.
We break down a handful of composer Jonny Greenwood’s go-to techniques in examples from his scores to Phantom Thread and There Will Be Blood.