How to Set up a Film Scoring Session in Your DAW
Nervous about getting started on a film or media sync project in your DAW? Here’s everything you need to know to professionalize your session
Nervous about getting started on a film or media sync project in your DAW? Here’s everything you need to know to professionalize your session
Who’s the first composer you think of when you think of film scoring? They probably started in pop music, and that says something!
An analysis of how Hildur Guðnadóttir’s score for Joker helps anchor the narrative and characters in both their story and their timeline.
A personal reflection on the power of composer Joe Hisaishi’s music, combined with Studio Ghibli’s stories, to enchant and touch the viewer.
Today we take a look at 10 essential scores that changed the game for what roles and responsibilities composers take to bring a film to life.
In this edition of our Student Spotlight series, we chat with composer/sound designer Kevin G on his score to the game, Desert Moon of Karth.
Newly bolstered by the internet, we take a closer look at 1990’s TV series, “Cop Rock” — and try to determine its best and worst songs.
Let’s look at how music can make a song sound sad even when there are no lyrics — and why we like that so much.
In this edition of “Talking Points,” composers and electronic artists Ryuichi Sakamoto and Alva Noto discuss the nature of collaboration and improvisation.
We have so many questions that need answers… let’s start with the music. Here’s a breakdown of everything that’s going on in this misguided video mess.