What Songs Got You Into Scoring?
In Episode 56, Carter chats with composers Sofia Hultquist (Drum & Lace) and Ian Hultquist about “Songs That Got Me Into Film Scoring.”
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What Are Your Favorite Songs That Lived Beyond the Film?
In honor of our brand new course, Ep. 54 of Themes and Variation finds Carter, Mahea, and Ian discussing “Songs That Lived Beyond the Film.”
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New Course Out Now on Soundfly: Intro to Scoring for Film & TV
Soundfly’s wide-reaching new course, Intro to Scoring for Film & TV is out NOW. Get started learning to write, orchestrate and produce cues.
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Why Joker’s Score Makes It a Prequel
An analysis of how Hildur Guðnadóttir’s score for Joker helps anchor the narrative and characters in both their story and their timeline.
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How to Write a Character Leitmotif
A quick and easy guide to the art of the leitmotif — how to write, amend, and understand the role it plays in musical character development.
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Out Now: A New Course With Ryan Lott (of Son Lux) on Designing Custom Instruments
Soundfly’s foundation-shattering new online course with Ryan Lott (of Son Lux), Designing Sample-Based Instruments, is out NOW. Check it out!
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Why Joe Hisaishi’s Music for Studio Ghibli Tugs at Our Heartstrings
A personal reflection on the power of composer Joe Hisaishi’s music, combined with Studio Ghibli’s stories, to enchant and touch the viewer.
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Student Spotlight: Kevin Gundlach on Scoring “Space Desert Western” Game Music
In this edition of our Student Spotlight series, we chat with composer/sound designer Kevin G on his score to the game, Desert Moon of Karth.
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The Best and Worst Songs of “Cop Rock”
Newly bolstered by the internet, we take a closer look at 1990’s TV series, “Cop Rock” — and try to determine its best and worst songs.
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Learn to Rebuild the Spooky Arpeggiated Synth of Stranger Things
Just in time for Halloween, we show you how to recreate the spooky arpeggiated synth bass patch from the Stranger Things theme music. Try it out!
