All (Human) Music Is Repetition — Let’s Talk About That.
Because our brains are constantly seeking out patterns, all the music we create can be plotted somewhere along the grid of repetition.
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How Portishead Uses Chromatic Voice Leading in “Glory Box”
In this lesson plucked from Soundfly’s The Creative Power of Advanced Harmony course, we go over the chromatic device in Portishead’s melodic writing.
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György Ligeti’s ‘Musica Ricercata’: Is It Possible to Compose with Just One Note?
We look at Ligeti’s famous composition in order to decide how much, or how little, the use of music’s foundational parameters really matter in composing.
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On Alban Berg’s Great Musical Palindrome
Hidden in plain sight in a second act interlude of Berg’s monumental Lulu, sits a full orchestra musical palindrome unlike anything in music history.
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3 Atonal Techniques for Adventurous Songwriters
Inspired by Arnold Schoenberg and the Second Viennese School, here are three ways to use atonal composition techniques in your pop music-making!
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How Does Arvo Pärt Create His Enormously Emotive Music? Tintinnabuli.
+ Welcome to Soundfly! We help curious musicians meet their goals with creative online courses. Whatever you want to learn, whenever you need to learn it. Subscribe now to start learning on the ’Fly. Arvo Pärt is a rarity in the modern music world. His work is conceptual, yet also imbued with deep sentiment and religiosity. This balance between heart and […]
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14 of the Most Commonly Confused Terms in Music and Audio
Once upon a time, remixing a song meant actually redoing the mix. Many vintage consoles (some Neve 80-series, for example) have a button labeled “remix” that changes a few functions on the desk to optimize it for mixing rather than recording. But sometime in the late 20th century, the word “remix” began to take on a new meaning: […]
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4 Different Ways to Start a Musical Sentence
When you’re composing music, you kind of have to split yourself into a bunch of different personas. There’s “you, the artist” who contributes all the emotive content; “you, the craftsperson,” who gets anally retentive over just how you’re going to translate the emotive content in such a way that another human being can interpret it with […]
