We revisit a classic performance by a 12-year old singer to uncover the power of establishing and then breaking through a musical boundary.
Newly bolstered by the internet, we take a closer look at 1990’s TV series, “Cop Rock” — and try to determine its best and worst songs.
When film music becomes continuous wallpaper so aggressively it doesn’t even let the viewers think for themselves, everyone loses.
What exactly is “mickeymousing,” and how do we know whether it’s a good or bad addition to your musical score? Let’s find out.
The Office Theme music couldn’t be more indicative of Michael Scott’s character persona, it functions almost as a leitmotif for three reasons, here’s how.
Meet your new soundfly Mentor, Rafael Torres, whose list of TV/film scoring and music production credits will make your jaw drop!
Angelo Badalamenti’s “Twin Peaks” score is some of the most iconic music in TV history, here we explore how to recreate of his warm vintage synth sounds.
The 1977 Jim Henson special, “Emmet Otter’s Jug-Band Christmas” is back, with Paul Williams’ classic music and all. Here’s the story.
Writing music for a show or film? Check out this beginner’s lesson on creating a sense of nostalgia in your music to fit the narrative.
It had been two hours of staring at a screen, writer’s block was setting in. And then it hit us… A trap song about marine biology. The rest is history.