Category: Tips

  • How to Write Songs That Get Stuck in People’s Heads

    How to Write Songs That Get Stuck in People’s Heads

    If you’ve seen Easy A, you probably remember the scene where Emma Stone receives a card that plays Natasha Bedingfield’s “Pocketful of Sunshine” and how Stone’s character hates the song — at first. Flash forward to a few days later, and she can’t stop singing it. There are songs that we can’t stand, yet can’t get out…

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  • How to Get the Most out of Your Practice Session

    How to Get the Most out of Your Practice Session

    Often times when we practice and rehearse, we just do so instinctively — we show up, play through our songs, maybe talk about them a bit, and then do it again. While any sort of practice and rehearsal is probably a good thing, no matter how you go about it, there is some interesting research…

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  • How to Guarantee Your Music Is Heard by a Film/TV Supervisor

    How to Guarantee Your Music Is Heard by a Film/TV Supervisor

    Licensing your music for film or television is one of the few sure-fire ways to make money as a musician. But how do you get started?

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  • How to Travel with String Instruments

    How to Travel with String Instruments

    Summertime is upon us, and so is the glory of festival and touring season. If you are lucky enough to travel around to perform music at venues all over the country or world, chances are you’ll spend at least a little bit of time airborne en route to your next exotic destination. Many of us…

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  • How to Write a Musical: Find Your Song Posts

    How to Write a Musical: Find Your Song Posts

    This is part 3 of a series on how to write a musical. Start from the beginning with a brief history of musicals and explore the role of the music in telling the story. The basic question we’re looking at today is: when writing a musical, where do you begin?  First of all, it’s important to know the purpose that…

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  • 3 Professional Lessons from Film Composer Michael Giacchino

    3 Professional Lessons from Film Composer Michael Giacchino

    Anyone who knows me at all knows how much I love Pixar films. The Incredibles is still one of my favorite all-time movies. Ratatouille made me see the world differently. Up had me balling like a child within the first ten minutes. And no small part of that was the music. I only recently found out…

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  • How to Write a Musical: The Purpose of the Music

    How to Write a Musical: The Purpose of the Music

    This is part 2 of a series on how to write a musical. Start from the beginning with a brief history of musicals or jump forward to learn how to select song posts! This is part 2 of our series on how to write a musical, inspired by a friend’s efforts to write a musical about an undercooked piece of pasta named Al…

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  • The 5 People You Need to Know When Booking Shows

    The 5 People You Need to Know When Booking Shows

    The music scene is a tricky place to navigate. It often feels like you can’t get anywhere without knowing the right people and that your fate is entirely in someone else’s hands. But many of the “gatekeepers” are actually there to help you, and knowing who to talk to at the right moment can mean the difference between booking…

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  • How to Create Dreamier Guitar Chords

    How to Create Dreamier Guitar Chords

    Are you planning to write a romantic love song for a special person in your life, or in love with genres like dream pop, psychedelic rock, or shoegazer music? Or, are you simply getting bored of writing songs with those typical, standard-tuning bar chords on the guitar? Then here are some useful tools for you. If you’re…

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  • What the Heck Is a Guzheng?

    What the Heck Is a Guzheng?

    The guzheng (古筝) is one of my favorite instruments in the world. An ancient Chinese plucked-string instrument, today it’s featured prominently in both classical Chinese and modern international compositions. I think of the guzheng as a perfectly balanced mix between a harp and a zither. + Read more: Curious what the heck a theremin, shruti box, djembe, or glockenspiel…

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Jlin: Rhythm, Variation, & Vulnerability