How to Use Borrowed Chords
A handy guide for using borrowed chords in parallel scales and modes, to make your chord progressions more refreshing and unpredictable.
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How D’Angelo Uses Funky Dominant Sevenths in “Sugah Daddy”
In this short analysis, we break down the source of D’Angelo’s funky sound, his impeccable use of dominant sevenths in spread voicings.
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A Harmonic Analysis of Radiohead’s “Weird Fishes/Arpeggi”
Let’s revisit one of Radiohead’s most propulsive and intricately layered songs, to deconstruct all the elements at play and how they function.
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How Secondary Dominants Can Make Your Chord Progressions Less Boring
It’s not hard to break out of predictable chord patterns with a new mindset on harmony, and a bit of easy help from secondary dominants, too.
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How to Make Chords From Scales
Learning to read or write music? Here’s a quick guide to making chords within the various scales and modes you might encounter in music theory.
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A Harmonic Analysis of Michael Jackson’s Protest Song “They Don’t Care About Us”
Through means of Dancehall rhythms, modal interchange, and ostinato, Michael Jackson gives us glimpses of Black American heritage in his protest song.
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How Do Key Signatures Work?
Learning to read or write music? Here’s a quick-yet-deep primer on how key signatures work across major, minor, modal, blues and other tonalities.
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How Portishead Uses Chromatic Voice Leading in “Glory Box”
In this lesson plucked from Soundfly’s The Creative Power of Advanced Harmony course, we go over the chromatic device in Portishead’s melodic writing.
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Why Leon Bridges’ Powerful New Song “Sweeter” Works on Every… Single… Level
We break down the devices that help Leon Bridges and Terrace Martin’s song, “Sweeter,” function on every level, musically, poetically, and emotionally.
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Beat Makers, Try Thinking About Chords and Melody First
You might be an expert at programming drum beats, but if you think back on your favorite songs, they all probably have much stronger melodies and chords.
