An Introduction to Zappa’s ‘Black Page #2’: Modality, Polyrhythms, and Intervals
We explore the fundamental rhythmic, harmonic, and melodic concepts at play in one of Frank Zappa’s most lauded compositions.
We explore the fundamental rhythmic, harmonic, and melodic concepts at play in one of Frank Zappa’s most lauded compositions.
+ Master the tools and techniques of producing pro-level electronic music and audio in Ableton Live with Soundfly’s course, Intro to Music Production in Ableton Live. This article originally appeared on Ethan Hein’s blog. This video recently made the rounds on Facebook. I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I…
+ Welcome to Soundfly! We help curious musicians meet their goals with creative online courses. Whatever you want to learn, whenever you need to learn it. Subscribe now to start learning on the ’Fly. Spoiler alert! This article contains spoilers for the movie Black Panther. If you haven’t seen the movie, you may want to stop and bookmark this page to read the…
This article originally appeared on The Ethan Hein Blog. I complain a lot on my blog about the traditional teaching of music theory. Fortunately, a better alternative exists: Everyday Tonality by Philip Tagg. Don’t be put off by the DIY look of the website; the book is the single best explanation I know of for how harmony works across…
It was late 2009 when I got my first taste of Agadez. Searching a relatively primitive YouTube for new music to explore for an ethnomusicology class, I came across a four-minute clip that would change my perspective on the electric guitar for years to come. Recorded in 2004 by Sublime Frequencies founder Hisham Mayet, the…
Welcome back to Soundfly’s new interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the band Arthur Moon). In this series, we present intimate conversations with artists who are striving to push the boundaries of their process and craft. On his latest release, Onism, Photay’s Evan Shornstein combines his study of West African…
In the years since Mobb Deep‘s 1996 hit “Shook Ones (Part II)” was released, the song has attained legendary status among hip-hop listeners due to its many unique attributes, such as its darkly timbral, sonic world full of police sirens and impossible amounts of lingering reverb, and its equally rugged linguistic play, equipped with menacing threats…
We’ve all felt it before: four-on-the-floor fatigue. That feeling when you’ve listened to too much music with the same square beat. 1-2-3-4, 1-2-3-4, 1-2-3-4, 1-2-3-4… Don’t get me wrong — I’m a technohead, so 4/4 is my jam. Lots of music is built on 4/4 rhythm for a reason: It’s familiar and easy to dance to. Sometimes you might…