Tag: pop music analysis

  • The Cleansing: “Dirty Computer” Ushers in a New Era of Janelle Monáe

    The Cleansing: “Dirty Computer” Ushers in a New Era of Janelle Monáe

    In the era of Cardi B, Beyoncé, Lena Waithe, Laverne Cox, Tiffany Haddish, and many others, we bask in the glory of Black womxn. No longer are we afraid to show our thick thighs, curvy curls, and infectious attitudes. And why should we be? Black womxn have been told to sit down and shut up,…

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  • Get Ur Phryg On! Demystifying Timbaland and Missy Elliott’s Famous Beat

    Get Ur Phryg On! Demystifying Timbaland and Missy Elliott’s Famous Beat

    Why is the beat to Missy Elliott’s “Get Ur Freak On” so infectious? Maybe it has something to do with the mysterious Phrygian scale mode it’s written in…

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  • Why We’re Still All About Bruno Mars and Cardi B’s “Finesse” Remix

    Why We’re Still All About Bruno Mars and Cardi B’s “Finesse” Remix

    + Soundfly helps curious musicians meet their goals with online courses like The Creative Power of Advanced Harmony and Pop Vocal Production. Whatever you want to learn, whenever you need to learn it. Subscribe for unlimited access. By now you’ve heard the shimmering 24-karat magic that is the remix to Bruno Mars’ “Finesse” featuring Cardi B. It’s playing everywhere, on…

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  • “Black Panther” Turned Kendrick Lamar into a Superhero Producer

    “Black Panther” Turned Kendrick Lamar into a Superhero Producer

    + Learn the nuances of producing beats, arranging tracks, and creative sampling, drawing on the rich history and influence of hip-hop in Soundfly’s acclaimed online course, The Art of Hip-Hop Production.  Just like Kanye West, Kendrick Lamar is a rapper whose succession of albums shows off a clear yet non-obvious arc of creative development — moving…

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  • Exploring the Lydian Mode with Elliott Smith’s “Waltz #1”

    Exploring the Lydian Mode with Elliott Smith’s “Waltz #1”

    Like thousands of other young music fans with a penchant for the delicate beauty born through the combination of musical genius and a great deal of misery, I obsessed over Elliott Smith’s music back in college, and was affected deeply by the news of his tragic and sudden suicide in 2003. Performed on Saturday Night Live in…

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  • Can Descending Chords Ever Sound Happy?

    Can Descending Chords Ever Sound Happy?

    Descending melodies and progressions often sound sad, but one of the most resoundingly happy songs ever, Jackson 5’s “I Want You Back” begs to differ.

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  • Chartmania!! I Broke Down Every Song That Reached the Billboard Top 5 in 2017

    Chartmania!! I Broke Down Every Song That Reached the Billboard Top 5 in 2017

    Alright songwriters and song-guzzlers alike, strap on your boots for a knowledge voyage with more divergent rectangles than the NYC skyline: that’s right, the top pop charters have now become 2017’s top pop graphed. The Top 40 song charters that is, but why 40? Well, besides this number’s significance in pop music as a result of…

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  • Philip Tagg’s Everyday Tonality

    Philip Tagg’s Everyday Tonality

    This article originally appeared on The Ethan Hein Blog. I complain a lot on my blog about the traditional teaching of music theory. Fortunately, a better alternative exists: Everyday Tonality by Philip Tagg. Don’t be put off by the DIY look of the website; the book is the single best explanation I know of for how harmony works across…

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  • Just Because Eminem Was Freestyling, Doesn’t Mean It Wasn’t Musical

    Just Because Eminem Was Freestyling, Doesn’t Mean It Wasn’t Musical

    Tons of hip-hop artists have come out against the actions of Donald Trump in recent months, and many have even included stings in their verses. Eminem’s turn at the wheel came earlier this week in a Detroit, garage-set freestyle that aired on television during the BET Awards. And he showed, undeniably, that even when he’s winging…

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  • Longing for Simpler Times? Why the ‘Good Old Days’ Ain’t So Simple This Time Around

    Longing for Simpler Times? Why the ‘Good Old Days’ Ain’t So Simple This Time Around

    Have you heard Macklemore and Kesha’s recent duet, “Good Old Days”? It’s got a main theme everyone can relate to: “why, oh why, did I take those days gone by for granted?” The video features some pretty universal moments as well, just driving through the woods in a van at various states of chill along…

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