Last week, during Soundfly’s Office Hours #4, I sat down with Grammy-nominated audio engineer and…
Why Ariana Grande’s “no tears left to cry” Is So Uplifting, Even in a Minor Key
Last week I had the distinct pleasure of sitting down with super-knowledgeable music theory super-nerds…
7 Takeaways from Soundfly’s Office Hours Session: Ear Training for Mix Engineers
Two weeks ago, Soundfly CEO and founder, Ian Temple, and I went live on Facebook with…
Son Lux on Composing for Contrast at the Forefront
Welcome back to Soundfly’s weekly interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of…
The 13 Most Common Mics You’ll Find in a Studio, and Why Engineers Rely on Them
+ What are you working on? Share your musical goals with us and we’ll help you…
Reflecting on the Legacy of Chris Cornell, and What I Learned Playing His Music
Words you say never seem To live up to the ones inside your head The…
Why Your Soundcheck Never Sounds the Same as Your Performance
It’s show day! You’ve rehearsed your set until there’s no more room for improvement, changed…
Every Single Thing You Need to Play the Synth Bass Part from Bruno Mars’ “24k Magic”
Bruno Mars has made a career off tribute after tribute to artists and sounds of…
606–909: The Legendary Roland Drum Machine Series
Ah, that classic beat, marching ever onward, familiar as the beat of our own hearts. But…
Sounds of the Future: A Historical Primer on Synths in Sci-Fi Movies
We live in the most exciting time one could possibly hope to be alive. Every…