Last week, during Soundfly’s Office Hours #4, I sat down with Grammy-nominated audio engineer and…
How to Use Samples in Your Tracks Without Ruining Your Mix
+ Learning to record and mix at home? Check out Soundfly’s intermediate and advanced online mixing courses to…
Taiwan’s Sunset Rollercoaster on Taking Inspirational Scooter Rides
Welcome back to our interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the…
How to Recreate the Synth Bass Sound of Fischerspooner’s “Emerge”
The following tutorial comes courtesy of Soundfly’s free online course, Synth Bass for Bass Players. Feel…
7 Weird Mixing Terms: What They Mean and How to Use Them
+ Learning to record and mix at home? Check out Soundfly’s intermediate and advanced online mixing courses,…
L’Rain on Making ‘Not Jazz’ and Being in a ‘Dead Marriage’ with Music
Welcome back to our interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the…
Using Ableton Live to Mess with the Rhythm of “Clair de Lune”
This article originally appeared on Ethan Hein’s blog. This video recently made the rounds on Facebook.…
How I Made a Trap Song About the Food Chain for 2 Chainz
Former Soundfly staffer Adam Lerman is one of the producers behind Viceland’s latest viral short. Take…
The Cradle’s Paco Cathcart on Making ‘Momentous Music’
Welcome back to our interview series, Incorrect Music, curated by guitarist, singer, and composer Lora-Faye Åshuvud (of the…
Billie Eilish’s “You Should See Me in a Crown” Is Microtonality Gone Pop
+ Join our brand new email magazine, Soundfly Weekly, a weekly review of the best in music…