How Rihanna, Bruno Mars, and Meghan Trainor Make Retro Sound New
Learn about how producers today take “timeless” sounds and warp them in mixing to give their tracks retro familiarity, but also fresh modernity.
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Our Audio Mixing Course Buyer’s Guide
Looking to enhance your knowledge and mixing skills, practice your chops, and build your portfolio of work? We definitely have an online course for you.
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Checking Your Mix as an Artist: How to Decide if It Sounds “Right”
Your mix will sound different depending on the speakers, location, time of day, and even your mood. How do you know when it really does need to change?
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Learn the Fundamentals of Producing Music in Logic Pro X in Our New Course!
Soundfly’s brand new course will give you a solid understanding and practical experience of one of the industry’s most powerful and trusted programs, Logic.
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How to Organize Your Session in Ableton Live 10
A simple and handy rundown of some of the features new to Ableton Live 10, and how to reorient your audio editing behaviour around them.
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Humanize Your MIDI Sounds With These 5 Production Tips
With all the tech out there helping us make better-sounding digital music, the harder it is to make it sound live. Here are 5 tips for humanizing MIDI.
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3 Ways to Collaborate with a Music Producer
Learn about the different styles of collaboration and how you can use these models to make music beyond your own boundaries through working with others.
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Recording Vocals at Home: 9 Big Mistakes and How to Avoid Them
Learn how to get the best vocal performance takes in your home studio, on whatever your budget and with whatever equipment you have, with these handy tips.
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Reference Tracks: How to Improve Your Sound with Mix Referencing
Learn why it’s always helpful to bring in a few commercial recording reference tracks when you’re finishing up a mix, to compare and contrast.
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How to Make Your 808s Punchier
Learn how to get a punchier sounding 808 with some simple tricks, like ADSR adjustments, layering synth sounds, and level alterations across your mix.
