6 Mistakes to Avoid When Mixing Audio for Clients
A handy and helpful OpEd on what NOT to do when mixing audio work for clients, whether artists, brands, media syncs, or collaborators.
A handy and helpful OpEd on what NOT to do when mixing audio work for clients, whether artists, brands, media syncs, or collaborators.
You’ve heard the term before: “mix bus.” But what does it mean, how do you use it, and why is it necessary? Find everything out here.
In today’s post, we’re exploring an audio engineering concept called “summing” – and how it differs in analog vs. digital production.
We asked Atlantic Records’ pro mixing engineer, Brandon Miranda, to share his thoughts on mixing lead vox against a background chorus…
Engineers and producers: do you make any of these thirteen common mistakes when mixing your own music? We bet you do.
The ancient conundrum that has plagued mixing engineers since the dawn of time: focus on the details or a bird’s eye view? Let’s find out.
Whether you’re dealing with live strings or VSTs, legato or staccato passages, to create fluidity you may have to use time correction tools.
Mix sessions these days are wrought with endless scrolls of hundreds of tracks, but do you really need all those takes? Enter: Underdubbing.
Mixing is about more than just the technical ability to prepare sound for mastering, it’s an opportunity to add soul and life to your music.
Here’s how pro audio engineer Brian Losch achieves a big, immersive sound mixing cinematic, orchestral film score music.