Ableton’s Dennis Desantis: Learning Music Production and Solving Creative Problems
In this interview with Ableton’s Dennis Desantis, we explore the concept of learning online, how hands-on and personal electronic music is, and much more.
In this interview with Ableton’s Dennis Desantis, we explore the concept of learning online, how hands-on and personal electronic music is, and much more.
Why are producers always trying to make their MIDI samples sound realistic? I argue that if anything, they should be made to sound more electronic…
Watch me perform on a new hybrid playable hardware instrument that approaches solving some of my biggest performance issues with digital music.
Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.
A beginner’s guide to getting a decent sounding piano and vocal demo recorded and rough mixed in Logic Pro, and on a budget.
With great plugins and sample packs, creating lush orchestral textures digitally is easier than ever, but making it sound real remains a challenge.
This Soundfly alumni student breaks down why he prefers producing music with the non-linear workflow of FL Studio over Ableton and other DAWs.
With all the tech out there helping us make better-sounding digital music, the harder it is to make it sound live. Here are 5 tips for humanizing MIDI.
+ Master the tools and techniques of producing pro-level electronic music and audio in Ableton Live with Soundfly’s course, Intro to Music Production in Ableton Live. This article originally appeared on Ethan Hein’s blog. This video recently made the rounds on Facebook. I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I…