Lots and Lots of Colored Dots: A Fretboard Explanation of Pop Tonality
Using the guitar fretboard as a template, music theorist Dean Olivet has redesigned harmonic notation in a colorful, intuitive methodology for learning.
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Get Ur Phryg On! Demystifying Timbaland and Missy Elliott’s Famous Beat
Why is the beat to Missy Elliott’s “Get Ur Freak On” so infectious? Maybe it has something to do with the mysterious Phrygian scale mode it’s written in…
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Quick Tracks Nº 9: Write a Melody Using the Whole Tone Scale
Welcome back to the dance floor, Quick Trackers! Once a month, we hook you up with a short production or songwriting challenge, aimed at helping to up your musicianship. To respond to the challenge, just email us, leave a comment, or post to social media with the hashtag #quicktracks and tag us @learntosoundfly. Down here at the Soundfly…
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Exploring the Lydian Mode with Elliott Smith’s “Waltz #1”
Like thousands of other young music fans with a penchant for the delicate beauty born through the combination of musical genius and a great deal of misery, I obsessed over Elliott Smith’s music back in college, and was affected deeply by the news of his tragic and sudden suicide in 2003. Performed on Saturday Night Live in…
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Can Descending Chords Ever Sound Happy?
Descending melodies and progressions often sound sad, but one of the most resoundingly happy songs ever, Jackson 5’s “I Want You Back” begs to differ.
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Philip Tagg’s Everyday Tonality
This article originally appeared on The Ethan Hein Blog. I complain a lot on my blog about the traditional teaching of music theory. Fortunately, a better alternative exists: Everyday Tonality by Philip Tagg. Don’t be put off by the DIY look of the website; the book is the single best explanation I know of for how harmony works across…
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Thelonious Monk and Harnessing Dissonance
Today, Thelonious Monk (1917-1982) would have been 100 years old. Happy birthday, brother! To celebrate a century of Monk, here’s a video from our free course exploring the roots and musical extensions of the American musical language of the blues called A Conversation with the Blues. In it, instructor Vince Di Mura explains how Monk is able to coax a…
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Longing for Simpler Times? Why the ‘Good Old Days’ Ain’t So Simple This Time Around
Have you heard Macklemore and Kesha’s recent duet, “Good Old Days”? It’s got a main theme everyone can relate to: “why, oh why, did I take those days gone by for granted?” The video features some pretty universal moments as well, just driving through the woods in a van at various states of chill along…
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Quick Tracks Nº 4: Write a Groove Using the Lydian Mode
Welcome back to the dance floor, Quick Trackers! Once a month, we hook you up with a short production or songwriting challenge, aimed at helping to up your musicianship. To respond to the challenge, just email us, leave a comment, or post to social media with the hashtag #quicktracks and tag us @learntosoundfly. …And we’re back! This week, we challenge you…
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What Are Hanon Exercises and Why Should Keyboard Players Practice Them?
Hanon exercises are the source of much debate in the keyboard community. Some teachers love them, and others think they’re useless. Students seem to universally dislike them, at least when they are starting out. It’s not hard to see why; they’re repetitive, they don’t sound cool, and it can be hard to see the practical application.…
