A semi-philosophical embrace of Logic Pro’s ability to either enhance or defeat your music, and how you can maintain a human feel to your music production.
I never used to use sequencers in my music, until Logic updated theirs… Now it’s more intuitive and creatively vast than ever before, and I can’t stop.
We lay out some of the best reasons why all musicians and producers working at home right now need to pick up a MIDI controller.
A quick look at what quantizing is, and when or when not to use it when making beats, producing tracks, and mixing songs.
In this interview with Ableton’s Dennis Desantis, we explore the concept of learning online, how hands-on and personal electronic music is, and much more.
Why are producers always trying to make their MIDI samples sound realistic? I argue that if anything, they should be made to sound more electronic…
Watch me perform on a new hybrid playable hardware instrument that approaches solving some of my biggest performance issues with digital music.
Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.
A beginner’s guide to getting a decent sounding piano and vocal demo recorded and rough mixed in Logic Pro, and on a budget.
With great plugins and sample packs, creating lush orchestral textures digitally is easier than ever, but making it sound real remains a challenge.