If Apple Loops can be good enough samples for Rihanna, Usher, and Linkin Park, they can be good enough for us too! Here’s how to use them.
Courtesy of Soundfly’s new Ableton Live course, here’s a lesson on how to use Scale Mode for easier playing within a key!
Courtesy of Soundfly’s new Ableton Live course, here’s a lesson on how to map MIDI keys and parameters between Live and your controller.
A semi-philosophical embrace of Logic Pro’s ability to either enhance or defeat your music, and how you can maintain a human feel to your music production.
I never used to use sequencers in my music, until Logic updated theirs… Now it’s more intuitive and creatively vast than ever before, and I can’t stop.
We lay out some of the best reasons why all musicians and producers working at home right now need to pick up a MIDI controller.
A quick look at what quantizing is, and when or when not to use it when making beats, producing tracks, and mixing songs.
In this interview with Ableton’s Dennis Desantis, we explore the concept of learning online, how hands-on and personal electronic music is, and much more.
Why are producers always trying to make their MIDI samples sound realistic? I argue that if anything, they should be made to sound more electronic…
Watch me perform on a new hybrid playable hardware instrument that approaches solving some of my biggest performance issues with digital music.