In this interview with Ableton’s Dennis Desantis, we explore the concept of learning online, how hands-on and personal electronic music is, and much more.
Why are producers always trying to make their MIDI samples sound realistic? I argue that if anything, they should be made to sound more electronic…
Watch me perform on a new hybrid playable hardware instrument that approaches solving some of my biggest performance issues with digital music.
Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.
A beginner’s guide to getting a decent sounding piano and vocal demo recorded and rough mixed in Logic Pro, and on a budget.
With great plugins and sample packs, creating lush orchestral textures digitally is easier than ever, but making it sound real remains a challenge.
This Soundfly alumni student breaks down why he prefers producing music with the non-linear workflow of FL Studio over Ableton and other DAWs.
From a South American dance to a romantically rubato performance piece, Bach’s Violin Partita in D minor has some funky rhythms and bizarre chromaticism!
With all the tech out there helping us make better-sounding digital music, the harder it is to make it sound live. Here are 5 tips for humanizing MIDI.
+ Master the processes and techniques for programming professional-grade electronic drum beats in Ableton Live…